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Others are turning their sights on consumers, hoping drones can be part of the answer to helping small businesses compete with behemoth retailers — or even helping the big guys keep their competitive edge. Some studies say yes, while others say no. Chinese aviation administrators, for example, have already approved drone deliveries by the e-commerce giant JD. But in the United States, it will depend on whether regulators eventually allow drone companies to have autonomous systems in which multiple aircraft are overseen by one pilot and whether they can fly beyond the vision of that pilot.
Current regulations do not permit multiple drones per operator without a waiver. Operators like Wing, the drone-delivery company owned by Google parent Alphabet, have that capability. We strongly believe that eventually we will be able to develop a delivery service for communities that will enable them to transport items in just a few minutes at low cost. The company, whose drones can now travel round trip up to 20 kilometers — just over 12 miles — is participating in various stages of testing on three different continents.
Its first pilot program is in a suburb of Canberra, Australia, where it is working with local merchants to deliver small packages, including over-the-counter medicine, as well as food. The Australian regulators have issued a permit to allow one pilot to operate up to 20 drones at a time with virtual oversight.
Burgess said. Somewhat surprisingly, the most popular item ordered in the Australia pilot is coffee, which can be received — still hot — in as little as three minutes from the time the order is placed. This spring, the company will begin a new trial in Helsinki , for which it is soliciting views as to what should be delivered.
Burgess also said that, separate from drone tests, the company and others were working on a so-called unmanned traffic management system. Akin to virtual air traffic controllers, the system will be designed to permit multiple aircraft — manned and unmanned — to fly safely in the airspace simultaneously.
Wing is also one of several companies participating in a pilot program in Virginia. As with its testing in Finland and Australia, Wing will focus on the delivery of consumer goods, including food. Wing and Uber are two of the companies participating. A number of smaller drone companies are involved in testing programs elsewhere. North Carolina has partnered with Silicon Valley-based Matternet and Zipline to deliver essential medical supplies and laboratory samples.
In addition, Israeli start-up Flytrex , which is already delivering goods by drone in Reykjavik in partnership with online Icelandic retailer AHA , will focus on food in Holly Springs, N. Those in the industry, not surprisingly, say that the response from residents has been positive. Sportsbooks set their lines trying to get equal public action on both sides and know what they are doing, sometimes even making one side look too good to be true. When the betting public pounds a popular side in that situation, it is often the sportsbook that comes out winning.
After all, most sports bettors get into gambling in the first place because they are fans at heart who already have a rooting interest in the game and want to make money from their passion. With this knowledge on their side, sportsbooks can then shade their lines against favorites with point spread betting and OVERs with totals wagering, knowing that many bettors will often play them blindly.
Especially popular public picks will also move the line by a half-point or more, offering even more value to those going against them in these situations. While no betting trend or system lasts forever due to the likelihood that the market will eventually adjust, fading the public seems to be one that will continue to be successful to some degree and stand the test of time. Need more winning picks? The handicapping, sports odds information contained on this website is for entertainment purposes only.
Please confirm the wagering regulations in your jurisdiction as they vary from state to state, province to province and country to country. Using this information to contravene any law or statute is prohibited. The site is not associated with nor is it endorsed by any professional or collegiate league, association or team.
The Composer Comes First The Five Hundred Dollar Bet The th Piano After the Gala Horowitz Teaches The End of a Friendship Mr Dubal's book is by no means a biography. It's something like a biographical portrait inspired by the numerous evenings the author spent with Horowitz and his wife, Wanda Toscanini, daughter of the legendary conductor. It seems that in the late s, for about three years or so, Mr Dubal was a very close friend of the famous couple, one may even say he was on intimate terms with both Horowitz and Wanda, at least as much as such thing was ever possible.
About an year before the death of the great artist, Mr Dubal ended their friendship abruptly on the ground that he felt himself exploited and treated without the due respect; the main cause of the rupture, unbelievable as it seems, was that the author had not been allowed to bring his girlfriend to the parties organized by the Horowitzes while everybody else was accompanied by a friend or a spouse. Certainly Mr Dubal had the right to feel exploited but, on the other hand, he exploited Horowitz as well: he used to bring many of his students in Julliard to meet the Maestro, for their benefit for sure but doubtless also for his own hero status among them as well; his private meetings with the Maestro, usually accompanied with a good deal of piano playing in his own apartment on his legendary Steinway, were most certainly the greatest moments in David Dubal's life and an honour few ever had.
Naturally there should have been a substantial price to pay. Moreover, these meetings gave Mr Dubal material for a whole book. I am sure the author of Evenings With Horowitz is intelligent enough to realise that if anybody remembers him after his death, it will not be for his activity as a pianist, teacher, broadcaster or writer, but solely because he knew Vladimir Horowitz personally and few years after his death he decided to share with us this ''personal portrait'' of him.
I have read a good deal of criticism about David Dubal's writing in this book from many people and they have a point here, even if they often exaggerate a good deal. It is obvious that Mr Dubal is very much pleased with himself and sometimes his ego threatens to burst out the pages. But it never does. Although from time to time David reminds us blatantly about his tremendous career as a piano teacher and broadcaster as well as about his outstanding knowledge of the piano literature, he never looses the focus - and the focus of his book definitely is Vladimir Horowitz, not David Dubal.
It is also true that the writing style is far from great and sometimes may well seem perfunctory and not really serious, especially when Mr Dubal insists on writing in very short paragraphs that make the text seem fragmented and loose. But it is commendable that the author tries to explain everything and everybody that occurs in his conversations with the Maestro and in doing so he makes his book suitable for any newcomer to the field like myself.
It should also be noted that occasionally Mr Dubal is in the habit of writing with a lot of affectation which may well be sincere but which is nonetheless quite odious. His Discography in the end of the book, in addition of being totally dated, is actually one long, never-ending spiritual orgasm in the most flowery prose imaginable that is just as unreadable as anything could be.
His sexual ''interpretation'' of Horowitz's recordings of Scriabin's music is quite obscene, almost pornographic, in nature. Despite all these defects, Evenings With Horowitz is hugely readable and contains a lot of fascinating things about Vladimir Horowitz himself, his personality and his life, his reflections on history of music, many great composers, the art of interpretation and the art of piano in particular.
It is very much to Mr Dubal's credit that he never spends too much time on private matters although he touches them here and there. He also provides good if a bit perfunctory and not quite accurate biographical background of Horowitz's life until the beginning of their friendship. If anything, first and foremost David certainly has a real affection for the person and a huge admiration for the artist. He is by no means all praise but when he criticizes he is commendably brief and far from the maliciousness that characterises many pieces of writing about Horowitz one may encounter.
It is not rare that one finds in the book a startling insight into the complicated personality of Vladimir Horowitz or his unique interpretations or should I say recreations? Of course he was extremely vain, quite spoiled and tremendously egoistic; he had to be since he was also a genius and an artist of unique originality.
At any rate, I doubt that Horowitz really was so much more spoiled, vain or egoistic than most people are; as usual with the great, if his faults look sometimes bigger than usual it is mostly because they were scrutinized and publicized far more than they should have been. It is just wonderful that Mr Dubal always concentrates on the music. He is one of the very few writers about Horowitz who says bluntly that the great pianist was first and foremost a great musician and then - only then - a great technician; that albeit hardly very intelligent he wasn't the fool most people thought he was, judging by his often extremely infantile behaviour in his late years; that he knew huge amounts of music and assiduously studied it, together with the lives and personalities of those who composed it century or two ago.
I am sure it would be fascinating for every fan of Horowitz to read, to give just one example, that as late as the late s - when Dubal first met the Maestro personally - there were plans for recording Grieg's Piano concerto and Ballade. Now, this is quite amazing since not only did Horowitz never record a single note of Grieg for 60 years or so recording career, but he probably never played a single piece of the famous Norwegian composer in public after his graduation from the Kiev conservatory in Or one might be impressed - at least I certainly was - that the Maestro knew by heart and played brilliantly in private a Piano concerto by Chopin he had never performed in public.
And so on, and so on - there are great many such examples revealing precious bits of Vladimir Horowitz's powerful, original and completely inimitable musical personality. Of course while reading the book one constantly asks oneself - at least if one is as cynical as I am - how much of all that really is true and how much is due to Mr Dubal's imagination. It's fine that the author obviously cannot resist the temptation to boast with his immense knowledge on history of the piano and its literature.
It's also fine if he dramatized that a little bit or if he exaggerated his importance as teacher, broadcaster or scholar. That's all too human and perfectly all right. He may also have attached a far greater importance to the real one that his friendship had for Horowitz. Indeed, it almost seems that the great pianist died about an year after the rupture almost exclusively because David Dubal had left him.
I daresay it must be pretty hard writing about intimate friendship with a legend of such magnitude as Vladimir Horowitz, a force of nature and a force of genius that dominated the piano world for half a century or so. There is no possible way that one can know how accurate Mr Dubal is in his representation of the Maestro with all his oddities and eccentricities - unless of course one knew Horowitz personally and intimately. Most of us never had such an opportunity, so we have to rely on circumstantial evidence from here and there as well as on faith.
On the whole, I believe that Mr Dubal is honest and exact in his personal portrait of the Maestro. Sometimes he is astonishingly candid with himself too, or at least it seems so. Still, some facts stated by the author really are a trifle fishy.
The impact that Mr Dubal had on Horowitz's repertoire and concert programs, for example, is somewhat suspicious. If the author is to be believed, Horowitz never played Rachmaninoff's G minor prelude on his famous Moscow recital in and he chose Moszkowski's Etincelles as one of the encores entirely due to Mr Dubal's persuasion.
Also, the decision of Horowitz to record a Mozart concerto in the end of his life was also inspired by Mr Dubal who even proposed and provided Busoni's cadenza which can be heard on the recording. All this may or may not have been so. In any case these details are of minor importance. In general, I am inclined to believe that Mr Dubal did a fine portrait of Vladimir Horowitz, at least as fine as any portrait of such a colossal artist and complicated personality can be.
It is essential and indispensable for every real admirer of the great pianist. It is candid but not blatant, it is personal but it doesn't harp on painful personal matters, it states many all too human defects in the personality of the great man but it never elaborates unnecessarily on them.
Most importantly, Mr Dubal's personal portrait is always concentrated first and foremost on the music and on the piano which actually was Vladimir Horowitz's whole life and the only thing he ever really did need. Despite a purple prose here and there, Evenings With Horowitz is hugely readable and not a little entertaining, constantly spiced with the Maestro's extravagant personality but also and much more with his profound musical wisdom and absolutely unique artistry.
A fine tribute to a really great man. It should be noted in passing that the book is finely illustrated, including facsimiles of several programs from legendary concerts of Horowitz like his American debut in or his historic return in Perhaps the most amazing photo is one of the middle aged Horowitz sitting together on the piano with the notorious pianist and showman Oscar Levant.
Both are with their backs to the keyboard, have cigarettes in their hands and pretty crazy expressions in their eyes. The body language makes it clear who is the master of the piano and completely convinces the reader that Levant and Horowitz must have been great virtuosos at their best - which was canceling concerts in the last minute.
Edita para encontrar en tu idioma. Evenings with Horowitz. Evenings with Horowitz: A Personal Portrait. Issue 9. What should take priority in terms of using the existing data base capacity, data on releases of additional chemicals or data from sources that have not previously reported?
Issue What tradeoffs should the Agency consider in terms of optimal use of the system capacity? Threshold Considerations Current reporting thresholds are designed to capture listed chemicals that are being manufactured or processed at facilities in quantities of 25, pounds or greater or that are otherwise being used at levels equal to or greater than 10, pounds. Bills introduce in Congress and a petition submitted by the Small Business Association SBA have proposed "release based" thresholds to be included with or substituted for current operating thresholds.
A release based threshold criteria could be used to either include more facilities or exclude current facilities. Can release-based thresholds be adequately enforced? Do release-based thresholds demand a significant investment in up- front estimation? If an MED is not'available for a chemical, one may be developed as pan of the hazard evaluation. The positive results may both be for gene mutations or both for chromosome aberrations. If one is for gene mutations and the other for chromosome aberrations, both must be from mammalian systems.
Alternatively, positive mutagenicity evidence of less strength than defined under 4, when combined with sufficient evidence for a chemical's interaction with mammalian germ cells. Although definitive proof of non-mutagenicity is not possible, a chemical could be classified operationally as not a human germ cell mutagen. Thus, they are ranked as Z. N'- 2,4-d1methylphenyl -N-t[ 2. Basic Red 9 P 1 4-t 4-aminophenyl 4-imino-2,5 -cyclohexadienylidene methy 1]-, monohydrochlorlde Urea.
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Testosterone Enanthate 2A 1 [ 1-oxoheptyl oxy]-, Tetrachloroethane N. Butyrolactone 2B 1. Inttrunwntft nnd Rclfitfnl Producti 39 Misc. Estimated range based on information in the ratio of estimated subject for manufacturing facilities at the 2-digit SIC level. According to the Survey, there were 2,, farms in the U. Given the seasonal of agricultural work, the January figure used here represents a lower bound.
This represents the number of governments providing a function, not the number of facilities. The actual number of facilities may be more or less than this. Bureau of Labor Statistics. The data represent reporting units, which may file a single report for multiple establishments. Thus, the number of establishments is a lower bound; due to the effects of aggregation, the estimate for establishments employing 10 or more workers may be an over- or under-estimate.
Reporting units cover only federal civilian employment, and do not include Armed Forces personnel. Also, some of the CBP estimates particularly those in transportation and utilities have considerable uncertainties associated with them, owing to the difficulty in assigning activity to a particular establishment. In these cases, as well as in others, the definition of an establishment may differ from the definition of a facility under TRI. Major sources are defined as those facilities that emit over tontyear of any criteria pollutant.
There are about 20, major sources currently reporting to AIRS. Data in AIRS is based on monitoring, materials balance calculations, or a combination of the two. Reporting is on the seven criteria pollutants, of these VOCs and PM10 are two which may contain many different chemical species. These estimated emission factors can be applied to facility emission volumes to estimate the composition and volume of stack emissions at a particular facility.
Stack emissions can then be aggregated to the facility level to present cumulative data by SIC code. Facilities may also report on a range of other chemicals directly. Among these, AIRS lists such chemicals as arsenic, beryllium, benzene, cadmium, etc. This reporting system is updated every other year with national data made available approximately three years from the time of waste generation.
Waste streams captured by this system are reported in RCRA waste codes. Many of these are constituent-specific which have been matched to Chemical Abstract Service CAS numbers of section and other chemicals under review by the expansion workgroup. Generally, reports include four waste codes per waste stream and may exceed that number. Volume of waste is reported at the waste stream level. Entry of waste codes for a waste stream into BRS for data does not reflect the order of waste codes originally reported by the facility.
Therefore, a decision was made to apportion the volume equally among the waste codes listed for a particular waste stream in order to estimate chemical specific volumes. Only major sources must submit data to PCS. Regions have discretion over whether to submit data for minors. Municipal facilities Publicly Owned Treatment Works, or POTWs are classified as major if they have a flow rate over 1 million gallons a day, or discharge to a water-quality limited stream segment.
Non-municipal facilities are classified as major based on a scoring system that takes into account a number of factors including SIC Code; type, volume, toxicity and temperature of the waste; and flow and water quality factors of the receiving waters. The database includes any federal facilities that meet the definition of a major facility. Reporting is required monthly, although monitoring may be at a different frequency, depending on the pollutant and the permit conditions.
NPDES permits cover over 1, physical and chemical parameters.
All the way back in , ESPN ran an article proclaiming that the sky was the limit for drone racing , and backing up that notion with all kinds of fascinating figures and takes about what was then a budding pseudo-sport. For one thing, at the time of that writing, drone racing was just starting to rake in major investments. Since that time, several different companies and private investors have put significant funds behind the DRL.
Additionally, however, the article discussed the raw appeal of drone racing, painting an early picture that this truly was a spectator activity unlike any other. Really, however, they were just descriptions of something that began to catch on quickly. At least in a broad sense, people in these positions have to care about two things: ratings and predictability. In the early days of televised, professional drone racing, people in charge of sportsbooks wanted to see that a significant audience was tuning in, and essentially that there was a big enough market to make the betting activity worth their while.
They also wanted to get a hang of the sport, so to speak, so as to be able to determine odds with the same precision and favorability to themselves that they can with more traditional sports and events. In other words, for betting platform executives, it was simply about seeing some numbers.
Now that drone racing has been on TV and making headlines for a few years though, it seems that the betting industry is prepared to jump on board. More specifically, last June saw the first official drone racing betting market open at the established and very popular online platform Betfair. Promoted as the latest in a long line of developments designed to allow punters to bet on less traditional sports, DRL betting began with the Allianz World Championship. It now appears poised to grow alongside the sport, and could ultimately provide a betting category every bit as popular as those for Formula 1, Moto GP, or other racing-related activities.
It is also extremely difficult to make money every week of the NFL season. We are not saying that other sports are less complicated, but the grind of the NFL season is very tough on sports bettors. NFL consensus picks and public bets info is a must-have tool for any true NFL betting fan who is looking to win or cover the spread each week of the season. What exactly is an NFL consensus pick? The NFL consensus provides bettors an indication of how much action sportsbooks are seeing on either side of an NFL matchup.
The numbers behind this betting theory are not as strong as most people think, but if played properly could certainly equal solid returns. NFL home favorites cover the point-spread Contents hide. Should I fade public NFL bets? Should I bet on NFL favorites more often? Sunday, February 7, [updated Sunday, Feb. KC Chiefs. TB Buccaneers. Provided by DraftKings Sportsbook.
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